How To Do A Short Hair Style For Round Face Keys to Portrait Lighting

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Keys to Portrait Lighting

Each face can show a multitude of personalities and individuals

characteristics It is up to the portrait photographer to bring out the light

the best features topics with interesting and good conversation

lighting

The photographer’s first task is to assess facial features and

decide which ones to highlight and which ones to minimize. long

noses are best seen from a low angle, for example, and double chins

respond well to a high camera angle, but this article will be directed

before the effects of lighting on the human face.

It’s easier to gauge proper lighting by looking at the key points.

A flattering main light produces a defined shadow that extends from

the bridge of the nose to the cheek and includes everything non-photogenic

area near the nose. The height of the main light is determined by

the angle of the shelf below the eyebrow. Hollow eyes are fine

served by a little main light and protruding eyes can benefit from one

main light high. A second consideration is the appearance of a perceptible

catch the light in the eye as a main light that is too high will not show a catch

light The lower edge of the nose shadow should not touch or hide

the upper lip line. A proper shade is the key to a flattering “loop” light.

This lighting shows most faces to good advantage, showing all two threes

dimensional and youthful.

If a face looks round or heavy, side or split lighting is needed. while

a lighting ratio of three to one is good for loop lighting, a softer two to one

ratio is better for split lighting. Bring the light source to the face at a

ninety degree angle from the camera. The short side of the face will be shown

a shadow line that runs from the bridge of the nose to the center

from the chin, dividing the face into a well-lit half and a shaded half. O

The fill light should be placed close to the lens and slightly above it in order

to produce a clearly defined chin line and to minimize unsightly wrinkles.

The key to keep in mind is adequate and sufficient exposure in the highlights

light in the shadow areas to give a good skin tone.

Hair and shoulder lighting is important and sets the mood of the image.

All hair absorbs light disproportionately and must be adjusted in strength

according to the tone of the hair. Black hair may require three times as much

amount of light that blonde or gray hair needs. Be careful not to allow

the hair light spilling on the nose for obvious reasons. A wide source

is preferable to a point source because the latter emphasizes the

reflective qualities of hair rather than true color and tone.

If an edge light is used for a character portrait, make sure it’s an edge light

Nicely hooked and placed as close as possible to being in the picture without

showing Some photographers place their fill lights far above the lens to

safety and comfort reasons. But this placement produces undesirables

neck lines, eye bags and shiny foreheads. The fill light or lights work

best at eye level or just below, filling in neck lines and almost eliminating them

bags under the eyes.

The so-called Rembrandt lighting shades the eyes completely, highlighting

triangular shaped upper cheeks. You have to be especially careful not to do that

darken the eyes too much. While some studio photographers work with wrap

around general lighting with a lighting ratio of one to one and a half, no model

ing is present to enhance the features. The only benefit is that I study it

never complain about shadows that are too dark.

The background lights are set to the same power that the main light will produce

a background color and density the same as it appears to the naked eye. O

The purpose of the background is to provide a nice distant contrast which it does

it does not compete with the subject, but enhances and separates the subject

the distance Darkening of the edges is a traditional way of keeping the view

in the center of interest.

Lighting and its many variations is the most important tool to aid portraiture

photographer reveals people at their best.

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