How Do You Do In Text Citations In Chicago Style Live Sound Mixing Outdoors

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Live Sound Mixing Outdoors

Stay in the problem area

Some of the problems of sound mixing in life are reflections and standing waves created by the length and shape of the room and the location of the stage in the room. This is replaced with an outdoor area. There may be few or no obstacles associated with the outdoor stage. If there are feelings, most will delay longer before they return to the stage. Sometimes a particular frequency may be affected by some sources but other frequencies may not be affected in the same way.

There will often be fewer problems with the suggestion of an open outdoor space. If there is a roof it is usually higher in the club level problem. Also there may be no wall or only a back wall to reflect the sound back to the microphones. Indoor stages with closed walls and ceilings can reflect the sound back to the microphones while outside this is usually not a problem.

There may be withdrawals and additional support located at the speaking site. These will be more predictable with external sound. If you use a group on both sides of the stage with the subs there will be low power in the center of the space but there will also be points removed from the space on each side, mostly on the center line half and the group. From a position directly in front of the two groups you can hear the balance of the mix.

What is needed for External Advertising

Depending on the type of music and the volume required the sound system will need more power and more speakers for outdoor performances. You may also want something that is not expected in the club venue. Outdoor stages are usually bigger than club stages, so you won’t have as much blood in the sound mikes and other mikes on the stage. If you have the right equipment it is easier to mix outdoors because you are not fighting the same sound problems in the room.

You may want an input from each instrument including your audio mikes. You can see results when working out the door to free up the overhead of the drum machine. Cymbals can bleed into the sound of a club but may be lost on an outdoor setting. Also miking each drum will give you more control if you have the mikes and channels available. The guitars and keyboards should be in the mix to balance and break. Many guitars are beamy and the sound can be off axis depending on the frequency.

The viewing system also needs to be more powerful for large outdoor stages. Musicians will need more in their monitors at times. More composite analysis is also needed for outdoor areas. Usually for events other than concerts four mixes will work well. A stage right, center stage, stage left, and drum mix will allow you to put the music they want to hear in most.

Good Show

I’ve heard a lot of people say that they think outdoor gigs are difficult. The real secret is to have enough PA for the gig and the venue. I like mixing outdoors, but I have the right equipment for the work I do. A stereo system at an outdoor venue with awesome mikes and equipment is great.

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